Yakov Levi is an independent filmmaker hailing from the Ukraine, a country not particularly known for its cinematic output. Levi calls himself out as a vehement John Waters fan, a fact which is abundantly clear when one sees his films. As schlocky and puerile as one could hope for, The Killer Bra is no different from any other no-budget laptop production – poor acting, terrible humour, Z-grade effects. With Waters’ films, the comedy lies in demystifying the taboo and making light of the disturbing. In his other shorts, Levi casts a grotesque old woman named Baba Alla as a lascivious babuschka, harking back to Waters’ beloved Divine. Her absence in this film drains it of all charm, the wackiness passed on to the props, as well as Julie’s irritatingly hyperactive boyfriend. The promise of underground films in the era of the internet is exciting, but The Killer Bra is not one of them. It’s a load of bollocks.
Tuesday, 24 August 2010
THE KILLER BRA (CANADA/2009/YAKOV LEVI)
While out shopping, Laura fights with a fellow customer over a spotted bra, accidentally throwing her down the stairs in the process. Returning to her apartment, she decides to show off her glamorous new purchase to her flatmates rather than discuss the accidental murder, and their punny comments (“what a killer bra!” “it’s to die for!”) serve as unhappy omens. Lending the bra to flatmate Julie, Laura suddenly realises that her misdeed has not gone unpunished, and the killer bra lives up to its name, killing off her helpless friends one by one.
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