The documentary tantalises the viewer throughout with brief snippets from these ‘wild scenes’, but wisely spends most of its short running time discussing their cultural and societal impact. Pervez brings up the interesting point that almost all cinema attendants in Pakistan are male, painting the industry as some sort of inflated boys’ club (note titles such as The Pen and the Kalashnikov), and all the males interviewed for the film acknowledge some sort of religious guilt to enjoying. Though one gets the feeling that more could have been produced from such scandalous subject matter, director and journalist Akram Zadiq does a respectable and fair job of profiling modern-day Pakistan, and also encourages Western moviegoers to question the complexities of film censorship, and the hypocrisy surrounding sex and violence on screen.
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