Showing posts with label anthology film. Show all posts
Showing posts with label anthology film. Show all posts

Thursday, 9 September 2010

DANISH GIRLS SHOW EVERYTHING (DENMARK/1996/VARIOUS DIRECTORS)

Intercut with footage from old Danish films, this peculiar anthology film invites twenty international directors to direct short films about Danish women, and the open brief makes it hard for the viewer to travel from one film to the next.

The Weather – short remake of Berlin, Symphony of a Great City?

Expectations – interview snippet which means little out of context

Me – dark, brooding depiction of sexuality, with notes of sci-fi

Meditation – entertaining portrait of a loving matriarch with an unusual hobby

Danthing – utterly surreal computer animation, reminiscent of Guy Maddin

My Things – sentimental, and a sweet interpretation of the title;

Light Apparel – baffling proverbial piece about gender inequality

Archaeology – mildly interesting documentary which discusses the Sami people

Centre – superb experimental short which keeps a moving ball at the centre of the screen

Life In Six Steps – ambitious Reggio-esque documentary which doesn’t quite gel together

Berlin Retour – unusual time-travelling WWII short with a questionable aesthetic

Casting – weak comedy which aims to subvert the stereotypes of Danish women

Peeping – culture-shock drama; feels like an excerpt of a bigger film

Dreaming – typical political fare from Dušan Makavejev, with cheeky self-reference

Bliss – inaccessible fragment of a conversation between the artist and Vietnamese friends

My Father – touching short about memory; could have been longer

Pork And Apple Stew – dreadful absurdist animation

Rhythm – decent piece on samba, although tenuous link to the theme

Tobacco – shows a prematurely aged woman smoking; subtle yet effective

Why Don’t We? – tries to conclude the film with a previously unacknowledged message





Thursday, 17 June 2010

PEARLS OF THE DEEP (CZECH REPUBLIC/1966/VARIOUS DIRECTORS)

Writer Bohumil Hrabal was arguably one of the driving forces behind the Czech New Wave, his novel Closely Observed Trains forming the basis of Jiří Menzel’s classic film of the same name. In the omnibus film Pearls of the Deep, five of the best-known Czech directors used Hrabal’s writings as inspiration for their own short films. First is Menzel’s Mr. Baltazar’s Death, in which a family day out at a motorcycle rally goes tragically awry. Jan Němec directs the second installment The Imposters, wherein two dying old men compete to impress the other with life experiences. Evald Schorm’s The House of Happiness features a superstitious insurance salesman who grows paranoid after an encounter with a bizarre artist. Věra Chytilová’s The Snack Bar portrays the aftermath of a woman’s suicide, while the final segment Romance, directed by Jiromil Jireš, charts the brief romance between a young man and a spirited gypsy girl.

What is most immediately noticeable about Pearls of the Deep is the demystification of morbid subjects such as death, a common theme to Czech cinema and literature. Menzel, Němec and Chytilová all make a point of treating death not as an end, but as a beginning of another form of life. Though certainly an interesting concept, the project is unfortunately too unbalanced to be a great representation of the Czech New Wave, with Schorm’s installation being the weakest (his King And Women might have been a better bet). Nonetheless, it is worth a view for Chytilová and Jireš’ films.





Sunday, 8 November 2009

STORIES ON HUMAN RIGHTS (VARIOUS COUNTRIES/2008/VARIOUS DIRECTORS)

Stories On Human Rights is a compilation film, culling directorial talents from around the world to address issues of human rights. Below is a list of the constituent films and my opinion. The rating reflects my reaction to the project overall. Each film can be found on Youtube here: http://www.youtube.com/user/artfortheworld001


DANGEROUS GAMES

A blunt but succinct manipulation of war iconography


DES FILMS À FAIRE

Interesting concept, but inaccessible as a short


VOYAGE

Sweetly minimalistic; beautiful photography


IMPASSE

Quietly clever; heavy impact without dialogue


THE VOICE

Unevenly paced but powerfully abrupt ending


THE CROSSING

Unusual but amusing approach to the subject


LA MANGUE

Vivid exploration of the theme of fertility


WHAT ABOUT ME?

A lukewarm satire; needlessly reductive


TRUST

Beautiful; perhaps a bit too subtle


DIGNITY

Simple idea, marvellous execution


SOBRAS

Cutting-edge; reminiscent of the 'hair' shot in Alain Resnais’ Nuit Et Brouillard


A BOY, A WALL AND A DONKEY

Sweetly humorous; perhaps too developed for a short film?


LILY AND RA

Somewhat charming, but lack of subtlety and poor acting


BLACK BREAKFAST

Subtle and intriguing; good use of muted colours


A WATER TALE

Wonderful shooting style and sound design; unique concept


GARISH SUN

Devoid of the sentiments evoked by the final subtitle


I DRINK YOUR BATH WATER

Flamboyant, but clumsily executed


THE FINAL MATCH

Beautifully shot story, clear message


LA VICTOIRE SUR LES SACHETS

Minimalist approach that speaks depths


GLASS CEILING

Brusque symbolism; gratuitously theatrical


MOBILE MEN

Bizarre but touching approach to brotherhood


PARTICIPATION

Profound and darkly humorous; lovely camerawork